Mimo Khair
Photographer and Consultant of Publishing House
Jury of FotoSlovo Awards 2025
Jury of FotoSlovo Awards 2025
Mimo Khair is a Lebanese-American artist based in Düsseldorf, Germany. Her work—spanning photography, motion design, and writing—explores the human story and the invisible threads connecting people and places. With roots in New York and Shanghai, and Beirut where Mimo grew up, her journey has taken her across the Middle East, Africa, Europe, and the Far East.
Mimo also lends her vision as a design book consultant to Snap Collective, innovative Publishing House, which is partner of FotoSlovo.
Mimo Khair, a member of the Jury Committee for the FotoSlovo Awards 2025, shares her insights in an exclusive interview with us.
Mimo also lends her vision as a design book consultant to Snap Collective, innovative Publishing House, which is partner of FotoSlovo.
Mimo Khair, a member of the Jury Committee for the FotoSlovo Awards 2025, shares her insights in an exclusive interview with us.
"Every detail — image sequence, paper choice, the weight of the book —all shapes how the story is felt"
— Your journey has taken you across various cultures and environments. How have these experiences shaped your perspective as an artist? How do you balance your artistic expression with the practical considerations of book design and publishing?
— Traveling and immersing myself in diverse cultures has deeply shaped my artistic vision. Experiencing life from many angles revealed the universal threads that connect us—emotions, stories, and unseen energies. Whether in Shanghai, the Middle East, or New York, I’m drawn to quiet moments of connection and the poetry in everyday life. These encounters inform a storytelling approach that is both personal and resonant.
For me, the craft of bookmaking is both artistic and practical. Every detail—image sequence, paper choice, the weight of the book—shapes how the story is felt. I collaborate closely with designers and publishers to balance creative intent with production realities, always aiming to preserve the project’s soul. The goal is a book that feels alive, intimate, and enduring.
For me, the craft of bookmaking is both artistic and practical. Every detail—image sequence, paper choice, the weight of the book—shapes how the story is felt. I collaborate closely with designers and publishers to balance creative intent with production realities, always aiming to preserve the project’s soul. The goal is a book that feels alive, intimate, and enduring.
— How important do you think it is for photographers to participate in photo awards, competitions or festivals? What impact can these have on a photographer's career?
— Competitions and festivals can be valuable platforms for photographers to gain visibility and credibility, especially when starting out. Winning or being shortlisted for an award can open doors to exhibitions, publishing opportunities, and industry connections. However, I believe that true artistic success comes from a deep commitment to one's craft rather than external validation. While these events can provide exposure, they should not define an artist’s worth. It’s important to remain authentic and focus on meaningful storytelling rather than chasing trends for the sake of recognition.
— In your role as a design consultant at Snap Collective, what key elements do you believe contribute to the success of a photographer's book project? When reviewing photographers' works, what qualities or narratives tend to capture your attention and stand out to you?
— A great photo book is not just a showcase of images—it is a carefully crafted experience. At Snap Collective, we emphasize storytelling, sequencing, and design to create books that engage the viewer on multiple levels. Because we handle the technical production, artists can focus on refining their narrative rather than worrying about logistics. We work collaboratively, helping photographers shape their work into a meaningful, cohesive publication while ensuring high-quality materials and production. Our model eliminates financial risk for the artist while making their book available to an international audience through our platform.
I’m drawn to work that feels honest, immersive, and deeply personal. Photographers who have a unique perspective and a consistent visual language stand out to me. It’s not just about technical skill; it’s about emotion, depth, and the ability to make the viewer feel something. I also appreciate work that reveals an ongoing curiosity—projects that go beyond the surface and show a true connection between the photographer and their subject matter.
I’m drawn to work that feels honest, immersive, and deeply personal. Photographers who have a unique perspective and a consistent visual language stand out to me. It’s not just about technical skill; it’s about emotion, depth, and the ability to make the viewer feel something. I also appreciate work that reveals an ongoing curiosity—projects that go beyond the surface and show a true connection between the photographer and their subject matter.
— In the digital age, what is the significance of physical photo books, and why should photographers consider creating them?
— Now more than ever, physical books offer a depth and permanence that digital platforms cannot. I believe that a photo book is an extension of an artist’s vision—a way to present work in a curated, immersive format. Unlike images that disappear in the endless scroll of social media, a book invites a slower, more thoughtful engagement. It allows photographers to craft a narrative on their own terms, controlling the sequence, pace, and emotional impact of their work. Our platform makes it easier than ever for photographers to publish their projects without the traditional financial and logistical barriers, ensuring that important visual stories can reach the audiences they deserve.
— What advice would you give to emerging photographers aiming to gain recognition and successfully publish their own photography books? What do you believe are the most important aspects for photographers to focus on when curating their work for a book publication?
— Curation is key. A strong photo book isn’t just about great images, but how they come together to form a compelling journey. Photographers should think about rhythm, flow, and emotional impact—sometimes even striking images are left out if they don’t serve the story. Every physical detail, from format to materials, contributes to the experience. Take time to develop a body of work that feels personal and intentional. Instead of relying solely on traditional publishers, explore innovative, low-risk publishing models. Engage with the photography community, attend festivals, and share your work meaningfully. A book is a lasting expression of your artistic identity—curate with care, collaborate thoughtfully, and let every element reflect your vision.